I’ve been giving the new T-Mobile G1 phone a test drive for the past week. It’s currently boxed up and will soon be returning to my local T-Mobile retailer. I’ll be switching back to my Blackberry 8800 that luckily didn’t attract a buyer on eBay. It’s unfortunate, as I had high hopes for this phone and researched the device extensively- paired it against competitors and finally decided it was a better device than the iPhone or the new Blackberry Storm. While I still believe the Android operating system is going to prove to be superior to the others, my conclusion is the G1 phone was released prematurely and is not suitable for most users.

The G1 really has the potential to be great. If I only needed a phone for web browsing and personal use, I would probably be raving about this device. The design of the phone is perfect, the 3G speed on T-Mobile’s network is very fast and the applications available impressed me as much, and sometimes more, than anything I’ve seen on an iPhone. Shazam, the music ID application currently being used in iPhone advertising, is also available on the G1 and is actually as cool as it looks on the commercial. There’s a couple of applications used for price comparison when shopping that allow you to scan a bar code with the phone’s camera and find the best price for an item at nearby stores or on the web. This is a great tool in our current economic state and should save consumers a lot of money. There’s even an application called flashlight that simply illuminates the phone with a bright white light, which isn’t really on the cutting edge of technology, but useful nonetheless.

The major flaw with the phone is the battery. It’s amazing that the developers tested this phone out and gave it a green light after experiencing the ridiculously short life of the battery. An average phone user is likely to get a half day at best out of the phone before you need to plug in and more frequent users probably need to stay near a power outlet at all times. You can turn all the battery draining services off like the 3G connection, Bluetooth and the brightness of the display and still won’t get a full day of service from the device (not to mention you’re disabling one of the most important components of the device with the 3G connection). To sum it up; any phone that has a full charge when you go to sleep and has less than 40% of it’s battery life remaining when you wake up should not be on the market.

Additionally, the phone has serious issues with email. I’ve read reviews that suggest the phone handles Gmail better than POP mail, but I found there to be problems with message retrieval across the board. I tried a number of configurations hoping to achieve more frequent message retrieval and notifications, but was unable to make the email client work properly. I had to manually open each mailbox and wait while the device communicated with my server anytime I wanted to find out if I had email. After a few days, I pretty much gave up on using the device for email altogether.

A few other complaints I have about this device is its lack of ability to sync with Outlook, which is something I think most Blackberry users will find frustrating. Also, the lack of ability to open any MS-Office documents or PDF files is a problem, although I expect this to be something an application developer will solve shortly. There also needs to be some sort of tiling system for applications that would allow you to switch between open applications quickly, as the current setup requires you to bounce back and forth to the home screen to launch each app.

I can’t recommend the G1 to anyone right now, but as I told a colleague this morning, I wouldn’t be surprised if I’m back at T-Mobile in a month or two purchasing the phone again once it’s been confirmed that the battery and email issues have been acknowledged and corrected. I’ve seen the light now and am excited to get my hands on a 3G device that can become my new portable office, but will continue to exercise patience until I’m sure the right device exists.

LOL!!! Now I can see why a couple of you are so heated about my review..given that it’s right there like a skull & crossbones on DatPiff! Sorry about that Charles. It’s on you to prove me wrong. Good luck.

Shout outs to DatPiff and CeleBully for showing love!

Maybe I just don’t get this new hipster rap trend. I don’t even like using the phrase hipster rap because I really don’t think this new sub-genre of hip-hop has been clearly defined. If the new mixtape from Harlem’s Charles Hamilton, Sonic the Hamilton, is supposed to represent this new movement- I’m not down with it.

Hamilton is an MC that has gained a heavy internet buzz over the past few months and become a favorite amongst bloggers, who give him enough praise that it could lead you to believe he’s already a power player in the hip-hop industry. He’s hard to miss with his flashy attire, usually highlighted by tones of hot pink and purple, and is generally pictured with a smug facial expression that can lead one to wonder what the kid has accomplished to make him so cocky.

I’ve been reluctant to explore Hamilton’s music, based off my natural instinct to resist something I feel someone is trying to force down my throat. I feel as though some of the new artists that are breaking out right now have earned their way into the big leagues, while others are the work of major label piggybacking that has diluted the talent pool.

With the blogs in a frenzy over the release of Sonic the Hamilton, I finally gave in and downloaded a copy- really hoping that I’d be asking for a late pass on this artist and beating myself up for being overly judgmental. Unfortunately for Hamilton, I feel more like a prophet than a hater right now.

Hamilton’s wordplay is your standard braggadocio lyricism that is common for NY hip-hop. His delivery is lazy and lacks the sort of punch needed to stand out over the sample-heavy beats and quirky sound effects that are commonly used throughout the mixtape.

As you may have figured out from the title, Hamilton has a strange obsession with Sonic the Hedgehog and the old Sega Genesis game system. I thought this fascination would be explained through some clever metaphors on the mixtape, which would allow me to understand why this dude wants to be a hedgehog. Nope. I’m still confused.

To Hamilton’s credit his lyricism isn’t bad and he is capable of stringing together a few clever bars, but overall he lacks the consistency and creativity in his rhymes that would have him competing with any well-known lyrical MC.

The conclusion I’ve drawn after listening to Sonic the Hamilton is that the hipster rap movement is nothing more than recycling of what we called backpack rap until about a month ago. The same people have traded in their backpacks and Ecko hoodies for Louis Vuitton man-purses and designer brand flannel.

The characteristic of both genres that I believe is going to remain the same is the lack of commercial viability for this type of sound. The major labels that are starting to hedge their bets on this movement should realize that artists like Kanye West and Lupe Fiasco, who have to be viewed as the elder statesman of the movement, are anomalies in the hip-hop industry that can’t be recreated through marketing. Most hip-hop fans are too smart for that.

If you’re really intent on checking out this new crop of talent that is buzzing in hip-hop; check out Wale or B.o.B. and unless you’ve been waiting for an MC to pop up that shares your passion for Sega and hedgehogs, go ahead and pass on Charles Hamilton.

It’s time to put my money where my mouth is regarding T.I.’s new album Paper Trail and I should invoice Atlantic Records for that money because of the gospel I’ve been singing about this release.

We all know Tip’s story at this point. He was setup trying to purchase the sort of firearms needed for a small army and at one point in the not-so-distant past, it was questionable as to whether we’d see the rapper at all for 15-20 years and the thought of a new album seemed almost laughable.

While awaiting trial, Tip, confined to his home on house arrest, resisted the self-destructive urges many would find themselves in while riding out their (assumed) last days of freedom, rather T.I. seized this as an opportunity to make the album of his career.

That’s a big statement. We’re talking about an artist who has been almost flawless since he came on the scene less than 10 years ago.

What separates Paper Trail from the rest of his catalog is that T.I. has finally found the balance he was looking for, but couldn’t reach with his previous albums, especially T.I. vs. T.I.P., where the matured, former trapper turned businessman and the sharp-tongued MC who will verbally dismantle any artist coming for his throne must learn to co-exist with one another.

Instead of the schizophrenic concept he brought with the last offering, T.I. comes straight from the heart allowing him to shine on the epic-sounding lead singles like “No Matter What” and the hypnotizing “Live Your Life” with Rihanna, to the modern-day “Ether” directed at his (assumed) nemesis Shawty Lo “What up, What’s Haapnin” (where he never actually mentions the artist by name) or the surprise smash “Whatever You Like”, which many critics bemoaned as too soft for the street-bred rapper until it’s record breaking ascent to the top of Billboard’s singles chart.

I remember sitting on an Atlantic Records street team call after T.I. released King in 2006 and listening to teams from around the country attempt to explain why the R&B flavored, “Why You Wanna” record wasn’t having the same impact as the monster single “What You Know”. The consensus was that T.I.’s core fan base wanted street records, not something forced because the industry formula required an artist to follow up a club smash with “chick song”.

The already proven success of the lead singles from Paper Trail demonstrates that T.I.’s audience has matured with him and they are not afraid to support him as he transitions into a smarter, grown up hip-hop artist.

This album is going to stand up to any other hip-hop release that we’re going to see this year, although I still firmly believe many of these 4th Quarter mega-releases are all talk. But even if say, Jay and Kanye get their projects out, I still don’t think these albums can be better than Paper Trail.

T.I. may have inadvertently found something the game has been missing when making this album, by actually taking time off, albeit not by choice, to compose his thoughts, pick his beats carefully and focus strictly on making an album reflective of the emotion that went into making it. This isn’t an album that was recorded in the back of a tour bus, in between takes on a movie set or in between meetings with investors to discuss his next business venture.

This is a sharp contrast to today’s quantity over quality approach, where we find talented artists rushing to deliver albums too quickly or in some cases leaking their own unfinished tracks that have admittedly been crafted faster than it has taken me to write this review.

Yes, Kanye, I’m talking about you.

SNIPPET: “Now 22 years old and signed to independent powerhouse SMC Recordings, QP maintains that Born 2 Win attitude that led him to early success; and, using a fast-paced flow reminiscent of his hometown group, Bone Thugs, he describes the lifestyle that’s The Norm 4 Me.”- M.Burmy for DJBooth.net

LINK TO THE FEATURE: http://www.djbooth.net/index/tracks/review/qp-the-norm-4-me/